SOLO EXHIBITIONS [Selected]
2016 ‘Seeing the Outside In’ G511ery, London UK
2013 ‘Paris vs New York’, Invited Exhibition (ANZCA) Australian New Zealand Communications Association Conference, Fremantle, Australia
2012 ‘New York City Stories: Masculinity, Demonstration and Desire', Solo Exhibition at Callahan Centre Gallery, St Francis College, New York, U.S.A
2008 ‘After the London Incidents/Protest at Plaza de Mayo’ series in International Exhibition: Interrogating Trauma Media and Art Responses, Kidigo Gallery, Fremantle
2008 ‘Visual Love Categories’ The University Club of Western Australia Gallery, Nedlands, Western Australia
2006 ‘Italia Campioni del Mondo: Celebrating Moments of the World Cup Victory in Italy’, Fremantle City Library, Fremantle, Western Australia - Sponsored by Fremantle City Council
2006 ’City Sites: Double Visions’, University of Urbino, Italy
1998 ’Eastern Dance: Western Women’, Kulcha Multicultural Arts of WA Fremantle, WA – Sponsored Global Oasis. (funded)
1997 ’Heritage of the Town of Vincent’, Council House Leederville, WA - Sponsored by Town of Vincent (funded)
1997 ’Scopophilia and Fashion Photography,’ Perth Institute of Contemporary Arts (PICA) Northbridge, WA
GROUP EXHIBITIONS
2020 ‘Men’ Visual Arts Staff Show, Spectrum Gallery, Edith Cowan University
2018 ‘Dining in Shopping Malls’ Food, Space and Place, Kerry Packer Gallery, University South Australia
2017 Curator ‘Inspiring Visions’ City Art Place Gallery, Perth, Australia
2017 ‘Gender and Shopping Malls’, International Visual Sociology Conference, Milleux Instititute Concordia University, Montreal
2016 ‘Exhale’ India Travels, Gallery 25, ECU, Perth, Western Australia
2014 ‘Candidasa’, Collective. Perth Centre of Photography, 100 Aberdeen St. Perth
2013 ‘Island Isolation’. Becoming, Art Gallery of University of Shanghai for Science & Technology, China.
2012 ‘Pas de deux: Paris 2012’. Locations, Spectrum Gallery, Edith Cowan University.
2012 ‘World Cup, Italy.’ Collective: Exhibition and Auction, Fringe World Festival, Perth Centre of Photography, 100 Aberdeen St. Perth.
2011 ‘Cities, Feminine Images and Gendered Spatial Boundaries’. Group Exhibition: The City: 2nd International Conference, Wosk Centre for Dialogue, Simon Fraser University, Vancouver, Canada.
2009 ‘We Are All Photographers Now’. NYPH '09 New York Photo Festival, Brooklyn, New York.
2008 'Dancing Around Handbags' (10 images) Cameraless: Photography without a camera, Spectrum Gallery, Perth Western Australia
2006 ‘You, Me and Everyone We Know’, Nemesis, Perth Centre of Photography, Australia
2005 ‘Field of Visions,’ New Media Institute, Frankfurt, Germany
2004 ‘Perth Mosque’, Centenary of Parliament Perth, WA, (Representative of the Town of Vincent)
2001 ‘24 Hours Northbridge Photography, Project’, Central Park, Perth, WA
2000 ‘Threads of Humanity,’ Amnesty International/University of Wollongong, NSW
1999 ‘Perspective: Feminists’ Art Rage Festival, The Photography Gallery of WA, Australia
1999 ‘Art 99’ Festival of Perth, Victoria Quay Exhibition Venue Fremantle, Western Australia
1998 ‘Ten’, The Photography Gallery of WA, Australia
1997 ‘Diversity’, Jack Sue Gallery Perth, Western Australia
1996 ‘Flash’, Jack Sue Gallery Perth, Western Australia
1996 ‘Northbridge Tunnel’ Doomed Heritage Maltings Gallery. Northbridge, Western Australia
Panizza Allmark (Panizza de Rozario) is a visualista, from Perth/Boorloo, Western Australia. She has worked as a documentary and commercial photographer for over thirty years. Panizza has spent time working across Asia, Europe, North and South America utilizing the techniques of photographie féminine which she developed in her doctoral thesis.
Drawing on écriture féminine, which traces an embodied writing practice, Panizza has refocused this as photographie féminine which engages in a self-reflexive ethical photographic practice that subverts dominant representations and draws attention to binaries. Photographie féminine is a dynamic visual response that seeks to challenge dominant representation by framing disparate elements of social realities through the use of dialectical images. The uniting of disparate elements is a motif in Panizza’s work, reflective of the mixed ethnic hybridity that she embodies.
Panizza has a BA Honours in Photomedia and was the first PhD in Australia to engage with feminist photographic practices as a street photographer/ photojournalist, drawing subversive critical attention to the body and media representations in the urban landscape.
Photographie féminine shares a number of similarities with postmodern documentary photography, such as self-reflexivity, a concern with power relationships and the nature of images and their circulation as well as the production of images that use irony as a political device.
Panizza has had over ten solo exhibitions and numerous group exhibitions. Her work has been exhibited in London, New York, Frankfurt, Shanghai, as well as in Italy and Australia.
Panizza has given keynotes and given artist talks on photography and visual culture. She has presented at the Institute of Contemporary Art, London, UK; at the 1st Global Colloquium on Photography and New Media Education for Youth Empowerment, Surabaya, Indonesia (representing Australia); the Advanced International Seminar, Lisbon Portugal; and the Callahan Centre Art Gallery, New York,.
Panizza is Professor of Visual and Cultural Studies, in the School of Arts & Humanities, at Edith Cowan University, Australia.
Panizza has lectured in Photomedia and supervised several PhD projects on photography.
https://www.ecu.edu.au/schools/arts-and-humanities/staff/profiles/communication-and-culture/professor-panizza-allmark https://orcid.org/0000-0002-6910-6511